After numerous recommendations and a good price point, I finally picked this one up.  StS is in essence a rogue like card game.  It’s still in Early Access, so there are certainly some new things to come along.  It’s a solid game.

One of 3 classes

Merging of genres is always tough.  It’s really hard to get the best of both worlds, since at some point you need to compromise.  Deck building games are about a combination of control and randomness, where player skill is more about knowing which card to play when (and which to add to the deck as well).  Rogues are often luck based, but the best one have an underlying incremental approach where not only do you get better (smarter) but the characters themselves improve.  StS gets really close to both.

I will throw in that I generally enjoy rogue-likes.  Faster than Light (FTL) is at the top of my all-time games.  I much prefer short playtimes, where a game over is both earned and recovered from in relatively short order.

Mechanics are simple enough.  3 classes, with similar starting decks.  Ironclad is about outright damage, Silent is about passive cards, Defect is a mage like class with a more complex set up.  You have a set number of action points per turn, play cards that value up to that.  You always attack first.  Different event types and maps where you get to select progress.  Collect more cards for your deck, or collect relics which provide various permanent boosts for your character.

I’m somewhat drawn to the Silent and prefer a Shiv deck.  That build requires specific cards to be successful in terms of damage.  But Silent damage is burst based, and you need to survive until it’s time.  That requires a lot of block cards, which cause deck bloat.  Which I think is the defining mechanic of StS… in nearly all cases it’s about judicious use of defensive cards since healing is so sparse.  Getting to the final boss of a level (there are 4 levels) with only a small bit of health is a quick way to a game over.  Some enemies are just not going to treat you well.

Balancing your needs, making sure you only have cards that will get played, and picking relics (from bosses) that provide a tangible benefit with minimal downside is key.  It gets more and more complex as you move forward.  That’s a lot of fun.

What’s less fun is the inherent nature of rogues and card games where randomness can undo a lot of hard work.  Losing to RNG is part of life, but it’s especially painful after an hour of investment.  Seeing a run fail because of a bad deck pull, or an event that curses you, or just a bad run of enemies is frustrating.  Dying in a rogue like should provide you some larger benefit aside from the game knowledge.  Playing for 90 minutes, getting a set of bad draws, and losing to RNG makes me stop wanting to play.

Each class has 5 unlocks that are achieved through a points-based system.  Do things, get points, unlock things.  These things are additional card types and additional relics.  This causes RNG to spread wider, meaning generally less chances to get the card/relic you want.  It’s pool bloat I guess.   You could be on a path for a specific deck and then be presented with cards that have no value – multiple times.  I’ve found that the runs become harder the more things get unlocked.  That is a weird feeling.  Especially when the starting state never changes.

I’m not quite sure what would help in this situation.  Maybe when you skip a potion/card/relic you get half the value in gold?  Maybe a starting relic that gives more max HP?  Maybe more reward choices every 5 battles or so?  Save states where you start on floor 2/3?  Playing someone else’s hand in a losing scenario?

Not to say that the game isn’t good.  It really is.  Well worth every penny and you’d get hours of gameplay out of it.  I’ve got enough now that I’ll wait until the next content patch.

Mix in some Meat Boy, a story about depression/anxiety, a killer soundtrack, a retro look and smart level design and you get Celeste.  There is a really good reason this was in a people’s game of the year lists.

Final Climb

I completed all the main levels, 2 of the B levels (harder version of the main), nearly done the Core (zone 8), and have collected over 100 strawberries.  Oh, and nearly 2000 deaths.

Game follows Madeline’s climb up Celeste, a giant mountain filled with all sorts of death traps.  The story is simple enough, she confronts her internal fears and comes out the stronger for it.  There’s no voice over, and the characters themselves are pretty straightforward.  That simplicity is also present in the gameplay.

The controls are basic.  Move, Jump, Hold, and Dash.   The actual gameplay is in the mix of those controls.  First few levels have you take long jumps, then dash to reach a far wall.  The later levels have you double dashing, avoiding lava, throwing yourself on bricks with spikes, recharging the dash in midair, then doing it 3 more times.   It’s surreal how much better you get at the game near the end.  Running back into Zone 1 was a cakewalk.

The actual gameplay mechanics are straightforward.  Avoid falling, spikes, monsters, fire, and similar things.  Die and restart the subzone (which usually takes 5-10 seconds to clear).  Easy in concept, hard in practice.  You can collect strawberries for an additional challenge, though it has no practical benefit other than a slightly different ending (if you make a pie).  Each zone has a cassette tape which unlocks a B-side, a harder variant that has no strawberries.  There are 7 main zones, each with their own themes.  The final one is the Core and is a hell of a challenge.

Celeste is one of those games where you always think “one more try” and then end up spending 30 minutes solving each additional puzzle.  And that’s what it is after all, each screen a puzzle of it’s own to solve.  It’s one of few games where I have to play with the D-pad rather than the analog, as some movements require way more precision in quick succession than my hands can handle.

I would be remiss not to mention the music.  It has that old school synth/midi vibe that fits just perfectly.  Each zone’s theme is well communicated, and the multi-screen boss “fights” feel like a true panic attack.  I’m not “done” with the game, but I do need a bit of a break from the heart racing.

Celeste is one of the few games I’ve ever played where I could not find any faults.  Never crashed, never felt I was cheated, no head scratchers.  It’s a shining example of what gaming can be.  A real must own.

Saturday was the first day of rest I’ve had in 4 months.  Helped a lot that my Friday was my team’s holiday party.  I ended up finishing the God of War main story on Saturday, with a bit of help from my eldest daughter.  Spoilers I guess?

I really enjoy stories with multiple plotlines.  Things happening just below the waves that you can just sense but never really get a full handle on.  The novel American Gods by Neil Gaiman does a tremendous job of this.  I’ve read it a dozen times now.  Each time I seem to find a different detail I missed on the first pass.  Helps that I have a large passion for religious pantheons.

The GoW series had 2 interesting parts for me.  The action combat and set pieces were the gold standard for quite a while.  It took what Prince of Persia started, and then went full Rated-R.  The mechanics were really amazing, but it was the setting that resonated most with me.  Since a small child, I’ve been fascinated with Greek mythology.  Kratos was an amazing vehicle to explore the stereotypes of those gods, the limits of their powers, the visualization of stories thousands of years old.  A fight against Chronos, or inside of Gaia, taking out the sisters of fate…hell even the very first battle in the game against the hydra.  Replace any of those characters with “generic templates” and the game loses the luster.  (a large issue for Darksiders, and to some degree Dante’s Inferno).

When GoW was announced in a nordic setting, I was curious as to how the story would unfold.  GoW3 didn’t leave a whole lot of room… Kratos was ultra penitent and killed himself in atonement (but survived since he’s a god I guess).  To find a calmer Kratos… that would be something.

Reruns are Fun

The first time through I did every side quest I could while on the main quest.  I wanted to absorb it all.  There is a surreal amount of detail in this game, though a large chunk is behind text.  The downside to that approach is that the pacing of the story loses focus.  I’d be all about chasing down a black rune, but then forget why Baldur wasn’t able to find me.  The 2nd time through I told myself I’d only do the core, then do the optional following.  Helpful that I didn’t really need all that extra gear this time!

With a more focused approach, I could appreciate what was going on.  The actions from the last quest were still fresh in my mind.  I could better understand Atreus’ dark path, or Freya’s desperation.  The undercurrents of Odin’s obsession with Jotunheim were more obviously the driving context for everything going on.  The final “twist” wasn’t the nice surprise of the first pass through, but the clear culmination of fate.  It was like I was playing as Fey.  In summary, a much better experience story-wise that the first time through.

Obviously there’s not going to be any DLC for this game.  It had more than enough as a base.  There are some clearer notes that could be in hit in a sequel (all but assured), but it does run the risk of repeating the same beats as the first 3 main-line GoW games.  Odin is as powerhungry and mad as Zeus.  Thor appears to be Kratos’ twin in terms of damage per second.  Tyr’s attempts to find some sense of balance for all, like Athena.  All pantheons run the same large character sets, so the risk is there no matter what.  And Kratos as a character has clearly moved on from wanting to kill gods.

What’s Next

Game-wise I will complete the remainder of the side quests.  There are some nice bits and pieces throughout – like the dwarven king who sacrificed his people to fight monsters.  I could also do with some more Valkyrie fights, since they have very little to do with your offensive power and more with your ability to dodge death incarnate.

Story-wise, there are only bits of speculation.  The last panel in Jotunheim shows Atreus holding someone and a snake-like thing between them.  The runs were translated  but the message could still do with interpretation.  Doesn’t help that the person lying down doesn’t look like the version of Kratos in the other murals.  No one knows who summoned the serpent while Kratos/Atreus were with Freya.  And 3 years have gone by since the trip to Jotunheim and the seeming start of Ragnarok.  How did all the giants in Jotunheim die if the portal was closed?  How did Zeus end up in Helheim?  It’s nice to have both such a clean ending to one game, and enough threads to get another story from it.  It will be hard to match the story told here… let alone surpass it.  Wish the devs all the luck on that.

Missing an arm for Facebook

It’s somewhat surprising how efficient game companies can be at turning their fan bases against them.  I’d say it was a new trend but american car companies certainly specialized in this behavior in the 90s.  KIA & Hyundai never would have had a chance in a real market… they just threw in a no questions asked 7-10 year warranty and took the entire floor of the market.  There are other comparisons…grocery stores, banks, restaurants.  Pretty much any common service where customer service is a big part.

Humble Beginnings

The irony here is that each of these companies was built on a dedicated fan base.  EA in the 90s/00s released seminal games that completely changed the way we view sports.  I still have great memories of SSX.  Blizzard is the main reason we have e-sports due to investment in Korea, let alone modding in Warcraft 3 which gave us MOBAs.   YouTube brought a human element to the internet.  There were mistakes along the road, but the companies clearly had good intentions.  They had clear communications and accepted responsibility.  They empowered their players, and that was returned with praise.

The Slow Fall

Power corrupts.  The speed of the internet causes that corruption to move much faster than in previous markets.  Where it may have taken months or years for a mistake to bleed its way through other industries, it can take only a few hours for a crap storm to hit today.  But why?  It isn’t like all of a sudden everyone decides to be evil.  In my experience it’s due to two main reasons.

First is the sheer size of a team and the natural disconnects from the clients.  All of a sudden you’re so big you need a marketing guru.  Or a QA testers.  Or a new team leader.  Your original team of a dozen can no longer handle the full load and the team needs to grow.  When it grows, people lose connection to both the product, and the ability to interact with the clients.  The identity of a company slowly starts to dilute.  Instead of having ownership of a large part, you are just a cog in the machine, not seeing how that plays into the overall picture.  You get comms people saying “pride and accomplishment”.  That lack of investment in the company, in the brand identity, makes it easier to accept poor decisions as part of the “machine”.  It used to mean something to work for Blizzard… it doesn’t have anymore.

Second, decisions are no longer made with single authority and vision.  They are abstracted, summarized, and packaged for an executive’s decision.  Not to mean that only 1 person should ever make a call, but more so that when decisions are made, they have the right context applied.  Bethesda is a great example.  It’s pretty clear some financials were run on the canvas bags and a call was made to go ultra cheap.  The person who made that decision shouldn’t have had that level of power.  When the people making the decisions are so detached, they are doing so for different motivations.

Investors

As much as Bethesda has been doing a great job of digging up, I think the medal here goes to Blizzard.  In one of J Allen Brack’s first decisions, Heroes of the Storm is going into maintenance mode, and all esports brackets are being cancelled.  Combine this with Diablo Immortal’s tone deaf Blizzcon announcement, and WoW/BfA’s continued inability to communicate to players, and you have a great recipe for resentment.  YouTube’s all-time worst ranked video is their own 2018 Rewind.  That’s impressive!

Clearly the CFO from Activision is the one making the calls now at Blizzard, and everyone else is towing the line to ensure maximum profitability.  Ship more content that can generate $$$ and stop work on maintenance.  I mean, it’s no surprise that the very next article on the Blizzard site is an announcement of a new WoW mount.

What’s Next

These companies aren’t going anywhere soon.  But they are opening the door to competition that simply didn’t have a chance years ago.  Would Fornite had have half the players if EA/Dice didn’t treat their players as ATMs?  There are plenty of lessons learned from just a few years ago with Ford & GM.  The guaranteed income of previous years on reputation alone is going away, and instead will move to a pure transaction-based model.  Rather than a relationship with a company, it will just be numbers.

Fine, if they can manage the balance.  Let the resentment build enough, and it will simply boil over and infect the rest of the client base.  It’s certainly popcorn worthy.

Still solid on a 2nd pass.

I do not have nearly as much time to game as I did when I was younger.  Hell, even a year ago.  It is an extremely rare occurrence for me to replay any game, in particular long-form games.  A combination of lack of time, and most games having a very long tail of grind at the end.  Few exceptions here.  For some reason FF games get replayed every 3-4 years, XCOM too.    That and the fact that there’s a plethora of new games that are just sitting in my library, screaming for playtime (Frostpunk, I hear you!)

With God of War winning game of the year, and an outstanding itch for decent combat mechanics after RDR2, it’s back in the chains again for me.  I opted for New Game+, which let’s you keep levels, skills, and all non-story based equipment.  For some reason, that let me keep the chains, which is a massive advantage.  I love the axe, but those chains are an AE cloud of damage that makes you nearly immune to damage for nearly every enemy but bosses.  So while I certainly upped the difficulty of enemies, it’s still easier than the first pass through.

But that’s less to do with the actual difficulty and more to do with me.

No Training Wheels

I played a fair chunk of GoW when it came out.  Killed some Valkyries.  Did all the side quests.  I was good at the game.  Time off has let some rust settle in, but it’s mostly shaken off now.  As with most games, there’s a gradual difficulty curve of enemies as you progress.  There are more of them, with more complex and damaging attacks at the tail.  Well… as a character/player, I’m already at the tail.  There are no skill upgrades left, and any armor boosts are simply numbers, not abilities.  I was trained to avoid damage, so more HP/Armor doesn’t really serve much right now.

Seen It

There’s a spot on my trip to the family cottage up north that still gives me goosebumps, after over 30 years of travel.  The effect is lesser today, but it’s still there.  It’s similar to re-watching a movie for the 30th time (Fifth Element is over that, I’m sure) and you still find parts to appreciate.

GoW is similar, in that I’ve danced this dance, but I still find joys in doing so again.  I look at different details.  I appreciate the background now since I’ve got a pretty solid idea of the foreground.  Facial twitches.  Sounds.  The rhythms of combat.  I’ve seen it all, but I didn’t really appreciate it.  Nice to have that opportunity again.

Puzzles

There are a couple within the game, though nothing terribly complex.  Most everything has to do with ringing bells within a specific timeframe. The challenge the first time was both finding said bells, and then finding the right order to ring them in.  At most 5 minutes of work for some spoils.

Redoing that part, maybe 30 seconds tops.  It’s lost the mystery, since there’s only one solution and once you know it, it never really feels the same again.  A bit like learning the workings of a magic trick.  Or visiting the backroom of a butcher’s shop. Ignorance really is bliss.

Nostalgia

There’s another reason I avoid replaying games.  Often times my memories are a much more positive experience than the actual game presents.  This is certainly easier with standalone games from the 90s/00s.  Goldeneye still plays amazing, but it doesn’t look like I remember.  My memory is selective, and usually focuses on the emotional highs/lows.  Many gamers will recall the fights against Sephiroth, but few remember the motorcycle or snowboarding games from FF7, unless just reminded.

Remind me, I have some Quest for Glory games that need a reload…

Mike Fisher (ex Squenix USA CEO) has an interesting post on rebuilding trust.  He was in place during the FF14 debacle from years ago, which is one of the silver linings in the gaming industry.

Small history check.  FF14 launched as a steaming pile, Squenix pulled the plug and re-released it 3 years later with the same overall engine, but a completely different gameplay loop.  Went from abysmal failure that tarnished the company rep, to the shining beacon of themepark MMOs.  Words do not do justice to how this game turned around.

While the main points of the article are aimed straight at EA, Blizzard, and Bethesda, the core message is a simple one.  The people who buy your games do so because they trust the company.  They are willing to give you the benefit of the doubt, and their money, with the hope that you will continue to deliver as you have in the past.  Losing that trust is a terrible thing, in particular with the ultra fans… and the long term consequences are severe.

And that’s accurate in a whole lot of things in life.  People follow leaders that they trust.  They will follow them into hell and back, give their lives for their leaders.  They can be fanatic at times, and be willing to overlook some major transgressions.  But at some point, those ultra-fans are the only ones left, and they’ve done such an amazing job at pushing away everyone else… you end up with a fraction of the business.

These past few years have been rough for the gaming giants.  There’s a culture that comes with certain companies.  Riot is simply known for being the cesspool of competitive gamers, there’s little they can do (or want to do) to change that.  EA will go to extreme lengths to dominate a market and nickel/dime you to death.  Activision will take all the lessons learned from one game, then ignore them for the next.  Bethesda will milk a franchise until there’s not but a husk that remains, with players hoping for a return to previous glory.

There are plenty of examples that I’m sure every gamer has experienced.

The good news is that this is leaving a massive gap to be filled by the mid-tier and indie developers.  Dead Cells, Celeste, FrostPunk, Into the Breach…all games that won awards from the relative shadows of the big companies.   Into the Breach is a prime example of trust building, since it’s the same company that brought use Faster Than Light (FTL), the amazing rogue-like spaceship game.

And it’s not like a lost cause is present.  No Man’s Sky is a thousand times better today than at launch – everyone should have a try.  Warframe at launch was horrible, and it’s now one of the best squad-based shooters.  Neither of them said that the gamers were wrong in their expectations.  They admitted fault, provided a plan, and then delivered.  A real plan.

I am utterly fascinated by game developers thinking that PR is the solution to a game’s woes.  In nearly all cases, it’s just adding more fuel to the fire.  PR rarely has any understanding of gaming culture.  And those that do, rarely have the power/authority to implement any actual change.  Trust comes from leaders.  When they stop taking accountability, people just move on.  There’s more than enough games for that.

I’m not normally big on award shows.  Even less so for shows that focus on people with generally poor social skills.  Let’s face it, actors & dancers are trained to entertain… game designers not so much. That said, I think the idea is sound.  Having peer recognition is always a good thing.

This year had a lot of winners.  God of War won the big title.  Read Dead Redemption won a few related, Celeste a few, Dead Cells a couple, Fornite some.  There’s a significant portion (like 30%) that’s dedicated to e-sports folk.  In that regard, it’s like the opposite of the Oscars, where the technology portion is more celebrated than the people.

What’s interesting here is that there’s not all that much controversy.   God of War this year, Breath of the Wild before, Overwatch, Witcher3… all solid games.  You’d be a happy gamer if you played even half of what’s listed here.

Does make me think about what I played this year.  I agree that God of War was a clear standout, hitting near perfect notes on every aspect of the game.  The ending alone…

Those are giants, not mountains

Other notable highlights, in no particular order.

• Read Dead Redemption 2 – lots of info lately on this one.  Sprawling epic story, feeling more like a simulation than a game.  Astounding level of detail.  Only weakness is the engine/controls
• Spider-Man – a beautiful view of Marvel’s New York, with great visuals, controls, and story.  The randomness of events is fun, the various tasks throughout add a lot of lore.  Few games make travel feel as much fun as this one. It suffers a bit from Ubisoft’s icons-everywhere syndrome.
• Monster Hunter World – The most beautiful of all grinds.  Each monster is unique, and there’s no better feeling than the final blow on a giant that can sneeze your death.  Because the gains are not incremental but instead plateaus, it makes the tail end of the game feel like hours without progress, then a gold mine.
• Ni No Kuni 2 – Sequel to one of my favorite RPGs, but takes a more kitchen sink approach.  The art and combat mechanics are superb.  The first 75% of the game is pure JRPG, with a great story, minor backtracking, and continual progress.  The last 25% is an un-fun level grind – which is again a JRPG staple.
• Pillars of Eternity 2 – I’ve yet to finish it, and can’t really tell which point of the game I’m at.  The story & mechanics are much improved on the previous.  What I can’t get over is the travel portion over the seas.  It’s minutia that I don’t find enjoyable…
• WoW: Battle for Azeroth – I’ve written enough about this.  This expansion plus the whole Diablo:Immortal push has soured me tremendously on Blizzard.

As a trend, I notice that these are not 8 hour games.  Each one of them took weeks to get through (or not in PoE2’s case).  They are also not PvP games.  2 of them are PS4 exclusives as well… and combined with Horizon: Zero Dawn, you can spend a few hundred hours playing GotY candidates/winners.

In terms of things on my wish list:

• Dead Cells – metroivania + roguelike
• Celeste – a tough platformer (by a Canadian too!)
• Frostpunk – a city builder, based on scenarios
• Into the Breach – a tactical RPG with very short sessions
• Divinity 2 – isometric RPG with was seems like sandbox mechanics

On top of the recent expansion to Warframe and upcoming season of Path of Exile.

For all the negative gaming stories that take up space in the news, there are some absolutely amazing games out there to play.  That’s the best part – having too much fun to have time to complain.

Let’s do all the dumb.

I’ve been a skeptic of Fallout 76 since it was announced.  Multiplayer games are hard, and Bethesda games have always been more about potential than delivery.  People are still playing FO4 and Skyrim because of the modding community.  Bethesda releases a large game, a big sandbox, plenty of bugs, and let’s the community make with it what they will.  I’ve thought for some time that was rather unique for such a large company, but it seems an understood deal.

FO76 seemed to be more of the same initially.  Quite a few folks were hopeful of simply having the original sandbox but with a multiplayer mod.  Not something that’s easy mind you, but Skyrim was in 2011 and Fallout 4 was in 2015.  It’s not like there wasn’t some amount of time here.

But as the game grew closer to release, it became clear of two things.

1. It was Fallout 4 with a mod
2. Finances trumped game decision making

Fallout Mod

FO76 uses the Creation Engine, which was first launched in 2011 for Skyrim.   It was in development for years prior to that.  That is a smart re-use of existing tools.  The error in this is that the engine was built for single player games, and had many years of coding changes with that mode specifically in mind.  It’s a bit like taking a base model car and being passionate about rally racing.  Then using that rally car for drag racing.   Hard to judge if it would have just been easier to go back to stock.

The impacts here are simply in the variety of bugs and the way the game runs.  There are plenty of posts/videos on how the beta ran.  That you could make client-side changes was standard in single player games – and it was here too.  That world speed was tied to frame rate was there.  AI pathing was there.  Pretty much most bugs that exist today in Fallout 4 (and addressed through mods) were present in FO76.

And that’s fine.  Games have bugs.  Releasing a game with bugs is normal.  The type and quantity of those bugs is a different matter.  It was pretty clear Bethesda needed the launch date to hit, even if it could have used another 6 months of work.  (Blizz anyone?)

This was for lack of better terms, an Early Access title released by a AAA developer.  Time will tell if it can get over that stigma.

Finances are King

By now everyone has heard of the bag issues.  The ultimate edition ($200) was supposed to come with a canvas bag, instead shipped with an extremely cheap nylon bag.

So cheap you can’t find it at WalMart

The answer from Bethesda was that the canvas bags were too expensive to make.  Syncaine covers this point quite well.  The only people who wanted the bag were super fans, the ones that will be there no matter what.  They are the last people you want to piss off.  Imagine a US football game where face paint was banned from the stadium.

They then offered $5 of in-game credit (not enough to buy the virtual version of the bag) and expected that to be enough.  This is when the class action lawsuits were being formed, and frankly there was a decent chance the players would win.  Would be fairly easy to show that Bethesda knew a long time ago that canvas bags were not possible, yet they were still advertising them even after launch.  So now they are making canvas bags and letting people place tickets to get them.

Data Breach

And just last night, the ticketing system in Bethesda decided to make life ultra fun by granting access to players to the overall database.  There are two interesting laws that apply here.  GDPR is one, and that has a fine of up to 5% of worldwide revenue as it relates to data breaches.  The other is a very recent California law that states that if 500 people from that state are impacted, the company must advise all their users of the data breach.  This is why we’ve seen a fair amount of breaches in the news these past few weeks.

All the Dumb

If this was satire, then Bethesda would get the all-time trophy for trolling.  It’s a real masterclass.

If it isn’t, then Bethesda managed something impressive:

• Had a beta to find bugs
• Told gamers that it wouldn’t fix anything until after launch
• Realized how dumb a position that was and fixed the game breaking ones a few days before launch
• Took a game noted for its story / NPC interactions and removed said story / NPCs
• Managed to deliver a ~50% metacritic ranking (lower than Bus Simulator 18)
• Knowingly advertised one product while delivering another
• Managed to insult their super fans
• Told players too bad, and gave them virtual credit in their game (~$5)
• Said credit was not sufficient to buy the virtual bag in the game
• Realized they were facing a lawsuit, if not criminal charges for fraud and opted to deliver what was advertised instead
• Discovered a bug in their ticketing system that caused a large data breach, with potential million dollar fines
• All within couple months

As a case study, it will be hard to find someone else who can do this much damage to their brand in such a small amount of time.  All of it self-inflicted.  I wonder what the long-term impacts will be on the company, and just gaming as a whole.  Maybe this is enough of a crater of bad things that practices change.

Maybe not.

Consoles aren’t really part of this conversation, since they are closed ecosystems.  It’s not like you could get God of War from anything other than the PS store.

PCs though… there are so many options.  The giant is certainly Steam, but there are others around.  Important term to remember here, there are storefronts where you buy the game, and Content Delivery Networks (CDN) that allow you to download the game.  Let’s look at the options first.

GOG used to be solely about retro grames, but it’s a solid spot for some indie games, and things a bit out of the ordinary.  Built in CDN.

Green Man Gaming often has massive discounts with coupons, and integrates easily with Steam.  No CDN here.

Origin is used solely for EA games.  CDN included.  It’s own by EA though, so it’s the devil.  Not a whole lot of choice here if you want to play an EA game online.  Steam will even redirect you here.  Probably the worst UI and overhead of all the services I’ve used.

Blizzard has a launcher/storefront where they’ve started to include Activision games.  As a CDN it’s hard to compete with the download/install options, and the UI is extremely clean.  Makes you wonder why EA can’t do this…

ARC/Trion/Daybreak launchers all follow the same model as Blizzard but with a whole lot less money.  Every MMO seems to have it’s own launcher, but the ones that cover multiple games are the interesting bits.  In general because of the currency that can be shared between the games on offer.  They are serviceable.

Discord is about to launch their own game store to compete directly with Steam.  Sort of makes sense, given that most PC games have a Discord account in the first place.  The UI is similar to Steam (grey everywhere).  It remains to be seen what type of catalogue will be present.

Epic Games recently announced they will do something similar to Discord, but went into much more detail regarding the financials.  Epic will only take a 12% cut, have no forums, and a focus on review bombing.

The Juggernaut

Steam dominates for very simple reasons.

• The damn thing works.  Full stop. I’ve never had it crash or fail.  Every other CDN has crashed at least once, if not multiple times (looking at you Origin).
• It has a massive catalog, built over years.  For pretty much any game, if it isn’t on Steam, it’s likely not available elsewhere.  Exceptions apply to publisher-owned platforms (Origin/Blizzard).
• It has sale events that feel like you’re getting stuff for free.  Who doesn’t like the holiday sale, where you can get games at 50-90% off?
• Players have had it installed for years, so there’s a high level of familiarity with the system for people who have disposable income.
• Simple refund process

It sucks for a similar set of reasons

• It takes a massive share from developers … 30%+
• It has so much crap, it’s almost impossible for the average player to find something “good” without depending on curated lists
• It has forums, which developers need to manage without any administrative tools.  One bad post from someone with 5 minutes of gameplay can derail an entire game.
• Review bombs are common place, and Valve has done a poor job of managing it
• Steam opted to stop curating any content that wasn’t deemed illegal.  Gaming bloat/cloning is prolific.
• It is the primary enabler of Early Access gaming, which is next worst trend after loot boxes.

For many players, the pros outweigh the cons.  When you look at gaming as a whole, Steam has opened up the entire globe to the concept of digital downloads and effective CDN management.  As a piece of technology, what it’s done is incredible.

As a service to gamers, it’s provided many more eyeballs on games than ever before.  It embraced Web2.0 before it was a thing, allowing the consumer to provide feedback to the developers and to other prospective buyers.  There are plenty of games I never would have found if not for Steam.

For developers, it provided a relatively low cost deployment option when physical media distribution costs were so high.  More things could be shipped.  The major downside to this is there is a significant amount of gamers who are toxic and can derail any developer with minimal effort.

But…the world Steam was built to address doesn’t really exist anymore.  It’s implemented the change it set out to push through.  PC gaming is prolific.  Indie developers are all over.  CDN are common.  The technology hurdle is solved.  The next hurdle is the economic management of a new gaming culture.

If  Epic can actually get a store front and CDN working, at less than half the cost of Steam, with no forums, and a managed review section, better developer tools… that’s a hell of an incentive for a developer to swap over.