Final Space & Dragon Prince

In fits and spurts, I’ve watched both Netflix series.  They only have 1 season, and they are relatively short episodes at 20 and 30 mins each.  They are both worth the watch, but for different reasons.

Final Space

This is more like 2 series in one, and that really swaps over in episode 7.  The first part is a near absurdist buddy comedy, with what amounts to verbal diarrhea.  The second part is more of a mix between Voltron and Cthulhu.

Where is lacks in consistency, it makes up for in sheer drive.  Gary Goodspeed is half bumbling idiot, half hero… and when he does go idiot, he goes full bore.  He ends up befriending some interesting folk along the way; a time travelling captain (both versions), a cat and his son, a demented robot, a lisping nutjob, and an army of cloned robots.

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The typical joke

Where the first part is more US comedy fare, and simple at that, it’s when it tries its hand at larger things that the story really splits off and has trouble holding on.  The overall arc that a bad guy is trying to open Final Space is passable, but the reasons why make little sense.  The ability to prevent it make little sense either, as it feels more like a McGuffin chase than much else.  It doesn’t take itself seriously, as much as it tries to make emotions come to the font.  I mean, there’s only so many times you can watch Gary’s dad die before it just doesn’t have any real resonance.

Side note – Fry from Futurama was is a good comparison in this.  Futurama earned those heart felt episodes, because you saw the characters develop.  Find me someone who didn’t have a tear at Jurassic Bark and I’ll show you someone who’s dead inside.

That said, the overall arc is well framed with a 1 minute countdown at the start of each episode which foreshadows the final one.  Or I guess 1-9 are each flashbacks.  Pick your poison.  It has solid pacing, and that to me is worth more than gold.  Other Netflix series all seem to want to pad an hour with nothing.  Final Space takes the 20 minutes, and fills it to the brim with forward movement.

Curious as to how season 2 will take this.  Either the galactic storyboard that was alluded, or a more episodic approach.

Dragon Prince

Lead by the same guy who brought Avatar (animated) to the screen, Dragon Prince is the story of, well, a Dragon Prince.

The backstory lasts a couple minutes, and generally revolves around nature vs man conflict.  Humans found a new type of magic, that steals life force from the other natural magic sources.  A war breaks out.  The king of dragons (feel I should capitalize that…) defends the border between humans and elves (at least 6 kinds of elves).  Humans manage to kill him, and destroy his only egg.. the aforementioned prince

Elves want revenge, plot a coup to take out the human king and prince… things go wrong.  Seems the egg wasn’t destroyed, but taken.  Who knew?

The elf assassin sees that this would stop the war, and leaves with the prince and the prince-in-law (that will be an interesting backstory I’m sure), and shenanigans occur.  Still the 3 character party + animal companion from Avatar, just no demi-god in the ranks.  Each character has strengths and flaws, hidden secrets.  The team dynamic works well, and it doesn’t take long for it to seem more like a family than a party.

The humans though… that’s a rough bit.  The king had an advisor who is an expert in the evil magic.  He appears to be his best friend… and when that friend proposes using said magic to protect the king, the king decides to go all righteous.  Where was that righteousness for the years where he was the advisor?  The king maybe dies?  I don’t know.  Then the advisor goes full evil mode for the rest of the series.

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My favorite human character.

The advisor has 2 kids, a not-too-bright knight and a smart-ass mage.  They are tasked by the advisor to kill the princes and take the egg back.  They apparently have zero moral struggles with this… but then again there’s maybe 5 minutes total across all episodes between the two.

The Dragon Prince deals with theme of loss and growth.  All good stories do.  There are hints of a much larger world, and this feels just like the initial journey of a grand adventure.  That final shot really isn’t a cliffhanger as much as an “ok, time for the real stuff to start” message from the writers.  It follows the book format of avatar, with a potential of 7 seasons of episodes (if 1 per source of magic).  Avatar was 61 episodes, so it’s pretty close.

The head team is open to audience feedback too, which is a mixed bag of risk, but certainly a novel *cough* way to pick a direction.  Should be an interesting journey.

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